Hi all! It’s your Associate Artistic Director Kevin here, but wearing my writer hat instead! Joining me for this blog post is the mahhhvelous Julie Tepperman, book writer for our upcoming show, The Preposterous Predicament of Polly Peel, which recently won the Paul O’Sullivan Prize for Musical Theatre and will be at the Toronto Fringe this July! (Ahhhhhhh!!!!!) We just got back from a wonderful week-long retreat where we worked exclusively on act one of Polly Peel at Thousand Islands Playhouse, thanks to the incredible support of The Musical Stage Company and the Playhouse. More
For the last few years, our company has had the pleasure of sending representation to the National Alliance for Musical Theatre (NAMT) 29th Annual Festival of New Musicals. This year, Stephanie Graham (Intern Artistic Director), Kevin Wong (Associate Artistic Director), and Robert McQueen (Director of New Musical Development) attended. In this blog entry, Kevin and Stephanie debrief on their experience at the festival! More
By: Lynne Shankel
We sat down with Britta to discuss the development of Life After and how her creation process varies from project to project.
By: Robert McQueen
When Britta Johnson contacted me in December of 2015 to say that she had been awarded the Toronto Fringe Festival’s Paul O’Sullivan Award for her new musical Life After I was, of course, thrilled for her. I had first heard Britta’s theatre composition a year earlier when she participated in our annual Noteworthy session, and immediately I had became an ardent admirer of her work; so, when shortly after our first conversation, she rang me again and asked if I would direct the Fringe production, I was thrilled. More