I spent the weekend at Penn State University, attending the “Bel Canto/Can Belto” voice pedagogy workshop hosted by their vocal faculty, attended mostly by voice teachers interested in singing for the contemporary musical theatre, and committed to continued development as teachers. My six-hour drive home through the hills of Pennsylvania, proved a great opportunity to reflect on the various ways we were engaged: in lectures, performing in master classes, observing other singers’ lessons, one-on-one voice lessons for each of us, and connecting with new colleagues. Through a sharing of information, observation of experts at work, and an opportunity to practice and explore, I came away with new ideas and great excitement for returning to the studio this fall. More
Ever since I was in my early 20s, I loved any excuse to borrow my parents’ minivan. Equipped with SiriusXM radio, it was my opportunity to roll down the windows and blast showtunes from the “On Broadway” station. (I’m certain you can’t imagine anything cooler than being seen in your parents’ minivan with “Ol’ Man River” blaring).
Looking back 40 years, Broadway music wasn’t always relegated to a very exclusive, expensive spot on the airwaves. In 1975, “Send In The Clowns” hit Number 36 on the US Billboard charts in a cover by Judy Collins. In 1971, “I Don’t Know How To Love Him” reached Number 12 on the Billboard charts in a cover by Helen Reddy. The Beatles recorded Meredith Wilson’s “Till There Was You” in 1963 and they sang it on the Ed Sullivan show in 1964. Barbara Streisand’s version of “People” from Funny Girl reached number five on the Billboard charts in 1964 (four years before the movie came out). The list goes on and on. The farther back in time you go, the more closely aligned Broadway music was with the popular taste.
Looking at 21st century musical theatre, 90% of the time the genre either:
- Uses existing pop songs that hit big on the radio decades ago
- Creates original scores that don’t resemble anything that could have been on the radio in the last 40 years.
It’s a fascinating divide given the origins of the form. More
With Hamilton opening on Broadway earlier this week, there is plenty of buzz as the 2015/2016 season starts to heat up. It seems to be the year of the movie musical, with almost all the new musicals originating as a Hollywood blockbuster. Here are some of the most anticipated musical productions aiming to opening within the next few Broadway seasons.